In this new edition, Getxophoto asks how image arts are reinventing themselves in this scenario. First, they pressed the PAUSE button, then PLAY, and now they hit REC. And they do it again at Punta Begoña, which will host two of the exhibitions of this International Image Festival.
What is the difference between accumulating archives and crafting a narrative? What is the future of the image – and of memory constructed through visual recording – in a world of extreme, immaterial, easily manipulable, and seemingly infinite REC?
